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From Molecule to Market: How Drug Ideas Evolve Like Screenplays

  • Writer: Viknesh Silvalingam
    Viknesh Silvalingam
  • Jul 7, 2025
  • 4 min read

Updated: Dec 8, 2025

Bridging Two Worlds: The Intersection of Pharma and Film


Almost a decade ago, I traded indie film sets for conference rooms and clinical trials. Before stepping into my current role as a customer success manager in the pharma industry, I produced two independent feature films. I poured my energy and heart into those projects. These days, filmmaking is mostly a passion project; pharma pays the bills.



On paper, these two industries couldn’t be more different. In pharma, we discuss clinical trials, FDA approvals, and patient outcomes. In film production, we focus on actors, scripts, and shooting schedules.


But the longer I’ve worked in pharma, the clearer it’s become: launching a drug and producing a movie follow the same rhythm. The stakes differ, but the process— the grind— is similar.


The Genesis of an Idea


  1. Whether it’s a drug or a movie, everything starts with an idea. But the idea is the easy part; it’s just the spark.


    In pharma, a molecule shows promise in the lab. In film, a story shines on the page. Initial excitement guarantees nothing. You have to prove it, build it, and fight for it. Both ideas get tested, refined, and challenged at every turn.


    Lesson learned: Inspiration is cheap. Execution is everything.


The Longer Path to Success


  1. People often think filmmaking is glamorous. It’s not. It involves planning, logistics, rewrites, delays, reshoots, and endless budget battles. Sound familiar?


    Drug development can take over a decade. Movies can also take years to move from concept to screen.


  2. Pharma example: Keytruda, a groundbreaking cancer immunotherapy, took over 10 years from early research to market approval. It had to survive countless preclinical studies, clinical trials, and rigorous FDA scrutiny.


  3. Film example: Boyhood by Richard Linklater took 12 years to shoot, tracking the same actors as they grew. An ambitious concept with no quick payoff.


  4. Both industries require endurance.


The Role of Data and Evidence


  1. In pharma, no one invests without data— endpoints, efficacy, and safety.


    In film, no one invests without a tangible vision— a solid script, pitch deck, or proof-of-concept trailer.


    Investors, executives, and regulators never buy dreams without evidence. This is crucial for success in both fields.


Acceptance of Failure


  1. In film, most scripts never get produced. Of the ones that do, many flop. Pharma is no different; most drug candidates fail in trials or fail to secure approval.


  2. Pharma example: Pfizer’s cholesterol drug famously failed in late-stage trials after the company invested nearly $800 million in its development. The drug not only failed to improve outcomes but actually increased patient risk, demonstrating how even promising drugs can dramatically collapse.


  3. Film example: Universal Pictures' Cats (2019) had star power, a legendary director, and an enormous budget (over $100 million). Despite this, it became a high-profile flop, criticized by both critics and audiences. This proves that resources and talent alone don't guarantee success.


  4. That’s not pessimism; it’s just math. Both industries rely on portfolio thinking: develop many projects, knowing only a few make it through.


    Success isn’t about avoiding failure. It’s about surviving it.


The Power of Collaboration


  1. As a customer success manager, I collaborate daily with sales, medical, compliance, tech, regulatory, and patient services. No one succeeds alone.


    Filmmaking mirrors this exactly. Writers, directors, producers, cinematographers, and editors all play critical roles. The magic only happens when everyone aligns.


Marketing Matters


  1. You can have the best drug, but if doctors don’t understand it, patients won’t use it, and payers won’t cover it. Effective marketing builds trust, awareness, and adoption.


    The same goes for films. Without visibility, great movies often disappear.


  2. Pharma example: Ozempic (semaglutide) succeeded because Novo Nordisk executed brilliant marketing that engaged doctors, educated patients, and created buzz around diabetes and weight loss.


  3. Film example: The Shawshank Redemption initially flopped due to weak marketing, a confusing title, and unclear messaging. However, thanks to word-of-mouth and cable reruns, it became a beloved classic.


  4. In both fields, marketing defines survival.


Understanding Your Audience


  1. Pharma asks: Who’s the patient, and what unmet need are we solving?


    Film asks: Who’s our audience, and what matters to them?


    In both industries, the goal is the same: create something that connects, solves problems, and truly matters. You aren’t just delivering a product; you’re crafting an experience that resonates.


Final Thoughts: A Fusion of Disciplines


While my day-to-day focus is now rooted in the pharma industry, I continue to write and explore film ideas because the two disciplines are more connected than they may seem. My experience in film production and pharma has shown me how storytelling and creativity intersect with systems thinking, regulatory rigor, and strategic execution.


Pharma has sharpened my ability to take complex ideas to market, while filmmaking has taught me how to lead through uncertainty and communicate with impact.


At first glance, these industries appear worlds apart. But both are built on belief, backed by evidence, and driven by collaboration and perseverance. Whether you’ve launched a new drug or produced an independent film, you understand that it’s rarely easy. Yet when it comes together, it’s unforgettable.

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