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The Project That Brought Me Back to Directing

  • Writer: Viknesh Silvalingam
    Viknesh Silvalingam
  • Jun 17
  • 3 min read

Updated: Aug 11

Person holding a clapperboard marked "The Ick" in a dark room with blue patterned walls. Another person stands nearby, partially visible.

It had been five years since I last directed. Life took over—other work, shifting priorities, and creative burnout. I didn’t step away with a declaration. I just… stopped. And stayed stopped.


Then, this script landed in my inbox. A one-act short. Simple. Intimate. Written by a fellow actress I’d worked with on my last feature film, Cold Pressed. She, too, was making her way back into the industry after a hiatus. That parallel—two creatives rediscovering the work—was enough for me to say yes.


Shooting a Short in One Day


Film crew records a conversation at a dark, patterned bar. A woman in leopard pants gestures emotionally to a man in a beige jacket.

We shot the whole thing in one day. The schedule was tight. The crew was minimal. It felt like controlled chaos. But that’s where the good stuff lives.


The story was self-contained—just a conversation. The weight wasn’t in the plot; it was in what was being said. That meant the camera had to work harder, shaping how each line landed. Blocking became one of my favorite parts. In a piece this sparse, the camera doesn’t just show the performance. It becomes part of it.


Directing Actors After a Hiatus


Directing again meant rolling up my sleeves and working closely with the actors. I focused on finding the motivations behind each line, digging into their choices. Subtle shifts in tone, posture, or silence changed everything. It wasn’t about big performances; it was about control and nuance.


When we wrapped the final shot, something happened that I forgot I missed: everyone—cast, crew, extras—was happy. We had everything we needed. No pickups, no doubts. Just collective relief and pride. That moment, shared by people from completely different worlds, is what reminds me why I love this. Filmmaking is collective. It’s alignment. It’s magic through collaboration.


Seven people smile in a dimly lit room with ornate blue wallpaper and framed art. They're seated on a bench, creating a cheerful atmosphere.

Relearning the Directing Fundamentals


Man filming with camera

Being back in the director's chair meant brushing up on fundamentals. I focused on shot planning. Drawing up a shot list that avoided endless, time-consuming setups was crucial. I needed to think ahead to protect the schedule while still capturing what the scene required.


I had to work smart. I designed setups that could flex. I kept the coverage tight but expressive. Planning transitions that wouldn’t eat half an hour just to recompose a frame was essential. In short: trust the prep.


The Sound Issues We Didn’t Anticipate


We shot the film in an operating bar. We had access to a private section, but that didn’t mean silence. Not even close.


One major issue was sound bleed. Even with the doors closed, we had to contend with the bar’s espresso machine, tray drops, background music, and—most frustrating—the pool table. Balls cracking on breaks and cues scraping across felt came through in the audio, clean and clear. Not ideal.


This caught us off guard and cost us a few takes. Lesson learned: when using a real location, don’t just scout for looks—scout for sound. Ask about shared walls, active hours, and exactly who’s on the other side of that thin partition.


A man and woman converse at a bar table in a dimly lit room. Nearby, a camera crew films. A laptop screen is visible in the foreground.

Reigniting the Creative Flame


Man holding a clapperboard on a city street, wearing a blue sweater. Text includes "The Ick," scene and take numbers. Bright, urban setting.

I’m not trying to say this short changed everything. But it did wake something back up. Directing, for me, has never just been about control—it’s about momentum. Listening. Reacting. Trusting your gut and your people.


Being okay when things don’t go perfectly is vital because the real art is in how you adapt. This shoot reminded me of all that. It helped me shake off the rust. I reconnected with the craft. Most importantly, it helped me gear up for what’s next—I'm currently developing a new feature film called Braincell.


This short was never just a one-off; it was the warm-up, the rep, the creative reset I needed to get back into the groove. And now, I’m moving forward.


The Future of My Directing Journey


As I look ahead, I feel a renewed sense of purpose. This experience has reignited my passion for storytelling. I am eager to explore new narratives and collaborate with talented individuals.


Each project brings its own challenges and rewards. I am ready to embrace them all. The journey of filmmaking is one of constant learning and growth. I am excited to dive deeper into this world.


In conclusion, the project that brought me back was more than just a short film. It was a reminder of why I fell in love with directing in the first place. The connections made, the lessons learned, and the joy of creation are what keep me motivated. I can’t wait to see where this path leads next.

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